I knew I had made and given away a lot of bee blocks this year, but I had not counted. Let’s gather them all together in one place and try to see exactly how many there were.
I tried to include a mix of warm and cool brights.
I call this Tricia’s fifty shades of grey quilt!
I found the pattern for this block in an old issue of Australian Patchwork and Quilting, volume 22, number 7. It is ‘Kyoto’ by Neil Chisholm.
I made a set of Polaroid blocks for Jennifer in Canada to be made into quilts for her twins.
We were asked to make red and gold blocks.
I used what few bright strings I had in my scrap box before cutting more strips from my stash.
For this block, I started with the geometric print and chose fabrics that coordinated.
Chelsea asked for colours that included teal, peach and navy.
A wildly wonky star for Kate
Elgar’s block was for a birthday surprise.
I think I used Margaret Rolfe’s pattern, enlarged.
Once again, I rummaged through my scrap basket. All these bee blocks are keeping my scraps well tamed.
Sewing is easy but cutting the curved pieces by hand takes care.
We were asked to embroider our names on our blocks. No hiding from bad workmanship!
I used some Bonnie and Camille but other fabrics too to achieve the scrappy, bright look I think Shari is aiming for.
I made a bone from Kumiko Fujita’s book for Sheila.
I raided my bright scraps for this block.
Denise asked for 14-inch bear paw blocks in a bright colour with soft grey and white backgrounds.
I love the cheerful aqua of this block for Helen.
I am not in Hive 2. I gate crashed!
Melissa wanted scrappy, light backgrounds and purple points.
The original pattern in Gail’s bag was in an issue of Australian Patchwork and Quilting, but I found it easier to sew it by drawing myself foundation paper templates.
She encouraged us to mix up the lights and darks in the centre.
This block is one I have long wanted to try.
Grace asked for pineapple blocks in grey, black, nay, teal and yellow.
No contrast problems with red!
I started in my scrap box, but I did not have enough bright scraps and had to raid my stash too.
So simple, and yet so effective!
This way of making hunter’s star blocks with half-square triangles looks daunting at first, but comes together surprisingly well.
My book says this is called a morning star, and it is a neat 12-inch finished block.
Mary wanted us to identify the species. Clockwise from top left, we have a garden dicky-bird, a technicolour turtledove, a diamond-tipped parrot and a blue-chested desert hen.
Some angel blocks
Christina liked the Japanese print, so I included it.
If it works in teal, why not in red and tan?
Yellow can sometimes lack contrast against a background fabric, so I used my darkest yellows and my lightest backgrounds.
Grey and Teal were Diana’s chosen colours.
This could be a star or a cross.
Yvonne asked for large letter blocks.